The debut album from CROSSWORD SMILES (Tom Curless and Chip Saam) on CD in a gatefold package.
CROSSWORD SMILES (Detroit, MI)

Big Stir Records is extraordinarily pleased to introduce the indie pop world to CROSSWORD SMILES, with the release of the band's debut album PRESSED & IRONED. The record, and the band, finds a pair of power pop veterans exploring new sonic textures and lyrical landscapes and applying them to the kind of perfect pop-rock song structures and melodies at which they excel. It's a winning combination of inspiration and songcraft that makes PRESSED & IRONED one of the most refreshing records of 2022.
CROSSWORD SMILES is a new band, and it's a new sound even for the the deeply respected Michigan-based guitar-pop stalwarts at its core. The band was quietly formed two years ago by TOM CURLESS, formerly of Your Gracious Host and currently enjoying solo success, and CHIP SAAM, best known as the bassist for The Hangabouts and Curless's backing band The 46% and the host of the indispensable Indie Pop Takeout show on Neighborhood Weekly Radio. The impulse behind the new collaboration? A pure and simple wish from a pair of like-minded music fans to hear something different. And the eclectic but completely consonant nature of the album owes everything to the band's genesis in a music-geek conversation between Saam and Curless after wrapping a recording session for Tom's last record. As he tells it:
“So, here we find ourselves, sidled up at the bar like a few regulars, sipping our quickly warming beers at an Ann Arbor saloon. Between exchanging glances with the insanely busy bartender, we are extolling the virtues of Joe Jackson’s Look Sharp. The stark, simple beauty of The Go Betweens' 16 Lovers Lane and the sharp songwriting on Freedy Johnston’s This Perfect World. Another common point of reference was The Cars, their knack for melody, musicianship and that infectious new wave energy. Often, in our mind at least, in different ways all somewhat overlooked bands or artists that we don’t hear anyone sounding like anymore. We fell into talking about putting together a project where we could try to replicate or at least in our own way pay tribute to these types of artists.”
But as much as Pressed & Ironed leans into those influences, it doesn't sound precisely like any of them. Nor does it line up exactly with the superb back catalogs of either of its two chief architects. It's something completely new. Would it have sounded completely at home on college radio circa 1985? Hell yes. But what Crossword Smiles have crafted on their debut is maybe even more vital on today's melodic rock scene where too many bands are sheltering in the shade of the the same weather-worn Merseybeat and power pop touchstones. The record amply demonstrates that there's more than one way to hang a hook... and the indie pop world is already richer for having CROSSWORD SMILES in it.
The debut album from CROSSWORD SMILES (Tom Curless and Chip Saam) on a vinyl LP with picture sleeve.
Big Stir Records is extraordinarily pleased to introduce the indie pop world to CROSSWORD SMILES, with the release of the band's debut album PRESSED & IRONED. The record will be out September 16 on vinyl LP and CD at record stores worldwide and streaming everywhere, with pre-order options live now at www.bigstirrecords.com and all major online
Big Stir Records is extraordinarily pleased to introduce the indie pop world to CROSSWORD SMILES, with the release of the band's debut album PRESSED & IRONED. The record will be out September 16 on vinyl LP and CD at record stores worldwide and streaming everywhere, with pre-order options live now at www.bigstirrecords.com and all major online retailers. PRESSED & IRONED features 10 new tracks including the lead single “Parallel Lines” and finds a pair of power pop veterans exploring new sonic textures and lyrical landscapes and applying them to the kind of perfect pop-rock song structures and melodies at which they excel. It's a winning combination of inspiration and songcraft that makes PRESSED & IRONED one of the most refreshing records of 2022.
CROSSWORD SMILES is a new band, and it's a new sound even for the the deeply respected Michigan-based guitar-pop stalwarts at its core. The band was quietly formed two years ago by TOM CURLESS, formerly of Your Gracious Host and currently enjoying solo success, and CHIP SAAM, best known as the bassist for The Hangabouts and Curless's backing band The 46% and the host of the indispensable Indie Pop Takeout show on Neighborhood Weekly Radio. The impulse behind the new collaboration? A pure and simple wish from a pair of like-minded music fans to hear something different.
The shape of that “something” was suggested by (but not limited to) the thrillingly diverse sounds of '80s college radio. Think, perhaps, of the endlessly inventive ways in which the pop form was twisted into new forms of stark, clean-guitar beauty by the likes of XTC, Aztec Camera, the dB's, or R.E.M. at their early peak. That's not the full story, though: Crossword Smiles is born not of genre purism, but rather the unerring instincts of Curless and Saam for drawing on their mutually encyclopedic and eclectic knowledge of rock's full and rich history to create something new, just as those bands had done.
And so while the overall sound and evocatively conversational lyrical approach of Pressed & Ironed might suggest a great lost Crowded House album – particularly on the gorgeous lead single “Parallel Lines” and the eerily angular-yet-lush shuffle “October Leaves” -- there's much more at work beneath the surface. When discussing the songs of the record, Crossword Smiles will cite inspirations as diverse as Steely Dan (Curless's guitar solo on “Lines”), Rockpile (the whole of the deceptively direct “Where's The Sense”) and The Replacements on both the opening “Feet On The Ground” and closing “Take It On The Chin”. You can hear textures evoking everyone from The Modern Lovers to Talk Talk rubbing shoulders from track to track, or even within the same song. And the eclectic but completely consonant nature of the album owes everything to the band's genesis in a music-geek conversation between Saam and Curless after wrapping a recording session for Tom's last record. As he tells it:
“So, here we find ourselves, sidled up at the bar like a few regulars, sipping our quickly warming beers at an Ann Arbor saloon. Between exchanging glances with the insanely busy bartender, we are extolling the virtues of Joe Jackson’s Look Sharp. The stark, simple beauty of The Go Between’s 16 Lovers Lane and the sharp songwriting on Freedy Johnston’s This Perfect World. Another common point of reference was The Cars, their knack for melody, musicianship and that infectious new wave energy. Often, in our mind at least, in different ways all somewhat overlooked bands or artists that we don’t hear anyone sounding like anymore. We fell into talking about putting together a project where we could try to replicate or at least in our own way pay tribute to these types of artists.”
And sure enough you'll get a Cars-like rush from the driving “Lotus” (best experienced as the opener of Side 2 on the vinyl LP). “This Little Town” is indeed an unmistakable nod to The Go-Betweens, albeit one that somehow evokes both the Grant McLennan and Robert Forster sides of the ledger equally. Johnston's vibe is all over the pedal-steel-and-open-snare sonics of the beautiful “Walk Softly”. And we haven't even mentioned the sweetly wry jangle-rock character sketch “Second Guesser”, with its spiraling Television-like guitar leads courtesy of Saam's Hangabouts bandmate Greg Addington. Or the brilliantly-titled “The Girl With A Penchant For Yellow”, which is probably the only song you'll hear this year to mix equal parts of The Who and Split Enz and spike the resulting cocktail with a dose of vocoder.
But as much as Pressed & Ironed leans into those influences, it doesn't sound precisely like any of them. Nor does it line up exactly with the superb back catalogs of either of its two chief architects. It's something completely new. Would it have sounded completely at home on college radio circa 1985? Hell yes. But what Crossword Smiles have crafted on their debut is maybe even more vital on today's melodic rock scene where too many bands are sheltering in the shade of the the same weather-worn Merseybeat and power pop touchstones. The record amply demonstrates that there's more than one way to hang a hook... and the indie pop world is already richer for having CROSSWORD SMILES in it.
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Feet on the Ground 3:480:00/3:48
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This Little Town 2:510:00/2:51
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October Leaves 2:590:00/2:59
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Parallel Lines 3:220:00/3:22
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Where's the Sense 3:010:00/3:01
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Lotus 3:570:00/3:57
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Walk Softly 4:030:00/4:03
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0:00/2:23
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Second Guesser 3:450:00/3:45
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Take It on the Chin 3:070:00/3:07
Big Stir Records is pleased to introduce CROSSWORD SMILES. The new duo's debut single “Parallel Lines” -- out this Friday, August 12, up for pre-order at www.bigstirrecords.bandcamp.com now, and streaming everywhere on the street date -- finds Michigan indie pop veterans TOM CURLESS (of Your Gracious Host and solo renown) and CHIP SAAM (The
Big Stir Records is pleased to introduce CROSSWORD SMILES. The new duo's debut single “Parallel Lines” -- out this Friday, August 12, up for pre-order at www.bigstirrecords.bandcamp.com now, and streaming everywhere on the street date -- finds Michigan indie pop veterans TOM CURLESS (of Your Gracious Host and solo renown) and CHIP SAAM (The Hangabouts and Curless's backing band The 46%) exploring new sonic textures and lyrical landscapes under a brand new name. “Parallel Lines” is the first hint of what fans can expect when the debut album from CROSSWORD SMILES sees release on Big Stir Records this fall.
And what an introduction it is. CROSSWORD SMILES start as they mean to go on, evoking the heyday and sophisticated textures of '80s college rock and applying them to the kind of classic pop-rock song structures and melodies at which Curless and Saam both excel. With upfront harmonies that recall Crowded House and flourishes inspired by touchstones as diverse as Fountains Of Wayne and Steely Dan, it's a taut and mysterious relationship study that opens up into an unforgettable chorus. If it strikes you that those influences add up to a sound that could only be described as “timeless,” you're starting to get the picture. “Parallel Lines” would sound great on the radio in any decade.
And there's more to come. “Parallel Lines” will be accompanied by a music video starring Tom and Chip, and this month will bring the announcement of the full length album to be released on LP and CD this Autumn. For now, though, marvel at this first preview of a new approach to indie pop from two of its most reliable practitioners. There's something in a name: CROSSWORD SMILES demonstrates both the melodic deftness of of Saam and Curless in puzzling out a whole new sound, and just how much fun they had doing so.