The new album from The Lunar Laugh on CD in a double gatefold Digipak.
THE LUNAR LAUGH (Oklahoma City, OK)
Torchbearers for the rich tradition of inventive and groundbreaking guitar-based pop from the American midwest, Oklahoma City-based indie rockers THE LUNAR LAUGH are in a class of their own. Rightly considered part of a newly emerging generation in the genre, they've already come a long way since their self-released 2015 debut Apollo, recorded in their original duo configuration of singer/songwriters Connor Anderson and Jared Lekites. Then as now, THE LUNAR LAUGH intertwined their modern pop and rock song structures with hooks heavily under the influence of power pop masterworks of the 60s and 70s. But since the 2017 addition of fellow singer/songwriter Campbell Young into the fold, the band has become a true collaboration of the kind not often heard on the pop scene, with their material growing ever more sophisticated and mature without losing the buoyant melodic charge at its core. Never has that been more easily heard than on the band's new album IN THE BLACK, due this fall from Big Stir Records.
Since their debut and over the course of two more records – the 2017 breakthrough Mama's Boy and 2019's Goodnight Noises Everywhere – THE LUNAR LAUGH could be found close to home and as far afield as Texas and California, honing their live sound and blossoming onstage as a quintet encompassing bassist Triston Lightner and drummer Levi Sherman. The evolving chemistry could be heard loud and clear as the band made a double bow on Big Stir Records in 2021 with NIGHTHAWKS!, a remarkable document of the band's live performances over its full career, and the standalone hit indie single “Allegiance” (uncollected on an album until now). And it's absolutely the cornerstone of the new recordings that make up IN THE BLACK.
“I think our growth as a functioning band unit is audible,” says Lekites. “In The Black is a ‘band’ album. We all pitched in and the music came out all the better for it. Growth also comes with natural aging and, naturally, we are all older than we were when we first started making music together. There’s a sense of maturity in the songs that we probably couldn’t have pulled off in our early 20s.” True though that is, it's not just the sophistication of the songs that leaps out at the listener on a bracing first listen; it's also the depth of the collaborative spirit driving it. Lekites, Anderson and Campbell don't only lend empathetic support to each other's tunes, they co-write on a granular level, often trading off lead vocals within each song. It's a step beyond the superb harmonies and instrumental alchemy that, in any other band, would be dazzling in themselves.
The lead single (and opening track) “Born Weird” is a case in point, and a demonstration of the band's unique ability to bring the whole of pop-rock history together in the here and now. There's a pop punk flair reminiscent of Jimmy Eat World and Blink-182, but it's married with surprising chord changes and intricate instrumental passages worthy of peak-period Brian Wilson and produced with 21st-Century flair by Johnny Manchild. Seamlessly melded together from compositions by Anderson (who sings the verses) and Lekites (who takes lead on the chorus), it also sees Young step to the fore on the bridge, contributing to a rush that evokes the best work of The New Pornographers in places. The communal vibe supports the song's sentiment, as Lekites explains: “It was a very positive song and it was somewhat therapeutic and/or cathartic to construct the lyrics as we put it together during the height of the pandemic. It’s really like a sort of ‘pep talk’ song.” In truth, “Born Weird” is both a much-needed anthem for anyone feeling out of place in the modern world, and a strong indication of what to expect from THE LUNAR LAUGH when IN THE BLACK bows this November, and at their shows in support of the record. Bands with this kind of chemistry only coalesce to create this compellingly deep of a pure pop album once in a blue moon, and it's cause for celebration. Long may THE LUNAR LAUGH shine.
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The new career-spanning collection of live tracks (with two bonus studio cuts) from THE LUNAR LAUGH on CD in a 6-panel DigiPak.
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Oklahoma City indie rockers THE LUNAR LAUGH and Big Stir Records are proud to bring you an all-new album of originals – the band's fourth studio collection and second full-length for BSR – that marks a new creative peak for the already-beloved quintet. IN THE BLACK, featuring the global indie radio hit “Born Weird,” the forthcoming single “Fake It
Oklahoma City indie rockers THE LUNAR LAUGH and Big Stir Records are proud to bring you an all-new album of originals – the band's fourth studio collection and second full-length for BSR – that marks a new creative peak for the already-beloved quintet. IN THE BLACK, featuring the global indie radio hit “Born Weird,” the forthcoming single “Fake It Till We Make It,” and the first album appearance of the much-loved 2021 standalone track “Allegiance,” hits record stores on CD and streaming services worldwide on November 3 and is up for pre-order and pre-save now.
Torchbearers for the rich tradition of inventive and groundbreaking guitar-based pop from the American midwest, THE LUNAR LAUGH are in a class of their own. Rightly considered part of a newly emerging generation in the genre, they've already come a long way since their self-released 2015 debut APOLLO, recorded in their original duo configuration of singer/songwriters Connor Anderson and Jared Lekites. Then as now, THE LUNAR LAUGH intertwined their modern pop and rock song structures with hooks heavily under the influence of power pop masterworks of the '60s and '70s. But since the 2017 addition of fellow singer/songwriter Campbell Young and over the course of two more critically acclaimed albums, the band has become a true collaboration of the kind not often heard on the pop scene. Now they take it a step further, harnessing the remarkable chemistry developed as a five-piece live band encompassing bassist Triston Lightner and drummer Levi Sherman, and fielding material that's grown ever more sophisticated and mature without losing the buoyant melodic charge at its core.
Never has that rare blend been more apparent than on the band's new album IN THE BLACK. What you'll hear across the record's ten tracks is something that's often hyped, but rarely delivered: a group of young songwriters and musicians seamlessly weaving the sounds of the entire history of pop music into one compelling, coherent, and captivatingly modern whole. Just listen as the opener “Born Weird” – equal parts '90s pop punk and Pet Sounds – gives way to “Allegiance,” whereupon late '80s Phil Collins/Bruce Hornsby production rubs shoulders with '70s-rooted Coral sitar lines. Then it's on to the stomping Sweet-meets-Badfinger working class glam of “Fake It Till We Make It,” the Merseybeat-tinged “Timeless Time,” and “Stranger Than Oz,” where the '70s mellow AM sounds of America blend with Byrdsy jangle. It all sounds of a piece, as the album stakes out a unique space and, yes, timeless time all its own.
Elsewhere, “So So Long” blends a strong Fleetwood Mac vibe with 21st Century indie rock production touches, “Still Gets To Me” is Springsteen-inspired but plays like a Motown ballad reimagined via postpunk jangle, and the closing “Picture Perfect” blends sweet pedal steel, banjolele and cello, blurring the line between alt-country and chamber pop. There's also room for the fascinatingly haunting half-waltz “Pour Votre Santé” and the sweet shuffle “Out Of Love,” a song written by drummer Sherman's late father with some present-day additions (a new bridge and some delightfully anachronistic synth lines). THE LUNAR LAUGH's extraordinary, inimitable harmonies drape over nearly all of the songs, hitting sweet spots which evoke The New Pornographers and The Beach Boys in equal measure.
“I think our growth as a functioning band unit is audible,” says Lekites. “In The Black is a ‘band’ album. That is, we all pitched in and the music came out all the better for it. Growth also comes with natural aging and, naturally, we are all older than we were when we first started making music together. There’s a sense of maturity in the songs that we probably couldn’t have pulled off in our early 20s.” True though that is, it's not just the sophistication of the songs that leaps out at the listener on a bracing first listen; it's also the depth of the collaborative spirit driving it. Lekites, Anderson and Campbell don't only lend empathetic support to each other's tunes, they co-write on a granular level, often trading off lead vocals within each song – on “Born Weird” alone, each one steps up to take a lead vocal, and the album continues in that vein. It's a step beyond the superb harmonies and instrumental alchemy that, in any other band, would be dazzling in themselves.
That sense of communal creativity is reflected not just in the apparent joy the three songwriters take in inspiring each other – each one hits enough melodic and lyrical high points here to carry three solo records – but in the sweetly encouraging sentiments which emanate from IN THE BLACK, belying the bleakness of its title. That's partly by hard-won design: the three-year recording process coincided not only with the global pandemic, but the passing of Lekites' father and brother in the space of four months. At times, imperfect takes reflecting the emotional realities of the times were preserved, and that rawness can be felt as an underlying grit and Stonesy looseness playing against the modern pop sheen. But THE LUNAR LAUGH consciously and collaboratively push toward the uplifting. “It was somewhat therapeutic and/or cathartic to construct the lyrics to a very positive, pep-talk of a song like 'Born Weird' as we put it together during the height of the pandemic,” offers Lekites. And of the session for “Out Of Love”: “Just days after losing my brother, I was adding my parts to this song and trying desperately not to completely fall apart at the seams. It felt nice to be doing something with a loving message to it.”
The resulting record delivers that message repeatedly and resoundingly. With its ten-song, 37-minute run time, it's an absolute rush of hooks and uplifting but nuanced turns of phrase, often unflinching about the emotional realities of of loss and challenging times but always leaning toward hope. And that hope is amplified by the communal spirit that makes IN THE BLACK not only one of the most engaging and thrilling guitar pop records of 2023, but also quite possibly THE LUNAR LAUGH's masterpiece. “If we never make another album, I would be satisfied going out on a high with this one,” says Lekites. While longtime fans and those newly discovering the band will surely hope there is more to come, IN THE BLACK is without a doubt a new high water mark in the already celebrated career of THE LUNAR LAUGH. Long may they shine.
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Born Weird 3:100:00/3:10
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Allegiance 3:230:00/3:23
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0:00/4:52
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Timeless Time 2:550:00/2:55
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Stranger Than Oz 3:380:00/3:38
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Pour Votre Santé 4:540:00/4:54
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So So Long 3:310:00/3:31
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Still Gets To Me 3:050:00/3:05
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Out Of Love 3:350:00/3:35
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Picture Perfect 3:380:00/3:38
An all-new single from Oklahoma City indie rockers THE LUNAR LAUGH and the first preview of their new album "In The Black", due this fall from Big Stir Records.
As THE LUNAR LAUGH returns to stages in their native Oklahoma (as well as Texas and elsewhere), Big Stir Records is thrilled to announce our first major release with the acclaimed indie pop band. The new album NIGHTHAWKS! is an an exciting collection of never-before-released live recordings spanning the group's full career, along with a pair of
As THE LUNAR LAUGH returns to stages in their native Oklahoma (as well as Texas and elsewhere), Big Stir Records is thrilled to announce our first major release with the acclaimed indie pop band. The new album NIGHTHAWKS! is an an exciting collection of never-before-released live recordings spanning the group's full career, along with a pair of exclusive studio tracks. It's out September 10 on CD and digital, up for pre-order at www.bigstirrecords.com and www.bigstirrecords.bandcamp.com now, and streaming everywhere on the street date.
The brightly melodic and harmony-drenched focus track and album opener “I Wanna Know” (with Lunar Laugh founders CONNOR ANDERSON and JARED LEKITES splitting the lead vocals) can be expected to follow the recent single “Allegiance” up the indie-pop charts worldwide. Also included is “It's Okay," a lyrically reassuring pop tune released as a single in the wake of the band's postponement of their scheduled concert performances due to the COVID-19 pandemic and spotlighting CAMPBELL YOUNG (who joined the duo of Lekites and Anderson for the second of their three studio records, Mama's Boy). Following these two studio efforts is a treasure trove of carefully curated documents of the band's celebrated onstage prowess to remind fans of what they've been missing.
Far from a standard live album, NIGHTHAWKS! offers a rich bounty of concert recordings capturing The Lunar Laugh at various fascinating, pivotal times throughout their career. The band's long-standing policy of recording gigs pays off with a selection of sterling, often re-imagined performances of tunes from all three of the albums they've released since 2015, as well as two choice covers reflecting their eclectic roots – Neil Diamond's “Solitary Man” and Death Cab For Cutie's “Soul Meets Body”. There's also a band performance of “Alive” from Young's solo oeuvre.
Taken as the sum of its parts, NIGHTHAWKS! documents the restless creative spirit of a band dedicated in equal parts to reinventing itself and honoring its pop-rock influences. The band sports a tight chemistry and a relaxed stage demeanor as they draw material from their 2015 debut Apollo (the cr0wd-pleasing title track and “Winsome”) through their most recent watershed album Goodnight Noises Everywhere (2019). There's a generous helping of tracks from a series of shows performed when the band was still in the afterglow of the internationally acclaimed Mama’s Boy, including the Anderson showcase “The Bedroom Door” and the rootsy “Nighthawks And Mona Lisa” from which the collection takes its title (and its visual inspiration, slyly executed by painter Lane Faglie and designer Steve Stanley).
The sound is crisp and the mixes by Steve Boaz show off the textures of the instrumental interplay and the harmonies of Lekites, Anderson and Young to wonderful effect. The sound and live energy are almost breathtaking in their immediacy after a year without gigs and in an age where concerts are typically preserved as compressed cellphone videos. Above all, NIGHTHAWKS! demonstrates just why fans should be so excited to see THE LUNAR LAUGH hit the road again, and for where the band's creative journey takes them next as well.
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I Wanna Know 3:340:00/3:34
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It's Okay 4:240:00/4:24
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On The Road 3:390:00/3:39
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0:00/4:21
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Winsome 1:410:00/1:41
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Living A Lie 4:130:00/4:13
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Alive 5:470:00/5:47
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Waiting For A Sign 5:380:00/5:38
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Tell Me A Story 4:360:00/4:36
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Solitary Man 2:570:00/2:57
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Mama's Boy 3:340:00/3:34
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Welcome To The World 3:200:00/3:20
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Old New Kid In Town 2:590:00/2:59
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Soul Meets Body 4:310:00/4:31
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The Bedroom Door 4:200:00/4:20
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Apollo 2:450:00/2:45
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0:00/4:11
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Work In Progess 6:090:00/6:09
The new standalone single from Oklahoma City's THE LUNAR LAUGH heralds the band's arrival on Big Stir Records, with a surprising new record to follow soon!